Wonosobo Lengger Mask Dance is influenced by Wonosobo people various cultures, customs, dialects, and arts. This research aims to: 1) To analyze the history. 2) To
analyze the elements. 3) To analyze the meaning. 4) To analyze the function in the society.
This research uses qualitative approach. The field research is located in Wonosobo, Central Java, Indonesia. Data collection techniques were conducted by interview,
direct observation and studying documents. We collected the data and analyzed it, presented it, and verified.
The results of the research based on the book by Pigeaud 1962, showed that Wonosobo Lengger Mask Dance has existed since the 14th century. It has been changed
and developed many times in every century and the dance still exists today.
Wonosobo Lengger Mask Dance is a combination of dance, visual arts, and music in one performance package. Each performance has different characters and stories,
so the messages are different. For example, the division of mask types is divided into alusan (smooth), gagahan (brave), kasar (rough), and gecul (funny) type, which
is the manifestation of human nature.
Wonosobo Lengger Mask Dance has deep philosophical meaning about human life both socially and spiritually related to Islam.
Wonosobo Lengger Mask Dance has three main functions in Wonosobo society, such as medium for rituals, religious spirituality, and folk entertainment.
Anotace v angličtině
Wonosobo Lengger Mask Dance is influenced by Wonosobo people various cultures, customs, dialects, and arts. This research aims to: 1) To analyze the history. 2) To
analyze the elements. 3) To analyze the meaning. 4) To analyze the function in the society.
This research uses qualitative approach. The field research is located in Wonosobo, Central Java, Indonesia. Data collection techniques were conducted by interview,
direct observation and studying documents. We collected the data and analyzed it, presented it, and verified.
The results of the research based on the book by Pigeaud 1962, showed that Wonosobo Lengger Mask Dance has existed since the 14th century. It has been changed
and developed many times in every century and the dance still exists today.
Wonosobo Lengger Mask Dance is a combination of dance, visual arts, and music in one performance package. Each performance has different characters and stories,
so the messages are different. For example, the division of mask types is divided into alusan (smooth), gagahan (brave), kasar (rough), and gecul (funny) type, which
is the manifestation of human nature.
Wonosobo Lengger Mask Dance has deep philosophical meaning about human life both socially and spiritually related to Islam.
Wonosobo Lengger Mask Dance has three main functions in Wonosobo society, such as medium for rituals, religious spirituality, and folk entertainment.
Wonosobo Lengger Mask Dance is influenced by Wonosobo people various cultures, customs, dialects, and arts. This research aims to: 1) To analyze the history. 2) To
analyze the elements. 3) To analyze the meaning. 4) To analyze the function in the society.
This research uses qualitative approach. The field research is located in Wonosobo, Central Java, Indonesia. Data collection techniques were conducted by interview,
direct observation and studying documents. We collected the data and analyzed it, presented it, and verified.
The results of the research based on the book by Pigeaud 1962, showed that Wonosobo Lengger Mask Dance has existed since the 14th century. It has been changed
and developed many times in every century and the dance still exists today.
Wonosobo Lengger Mask Dance is a combination of dance, visual arts, and music in one performance package. Each performance has different characters and stories,
so the messages are different. For example, the division of mask types is divided into alusan (smooth), gagahan (brave), kasar (rough), and gecul (funny) type, which
is the manifestation of human nature.
Wonosobo Lengger Mask Dance has deep philosophical meaning about human life both socially and spiritually related to Islam.
Wonosobo Lengger Mask Dance has three main functions in Wonosobo society, such as medium for rituals, religious spirituality, and folk entertainment.
Anotace v angličtině
Wonosobo Lengger Mask Dance is influenced by Wonosobo people various cultures, customs, dialects, and arts. This research aims to: 1) To analyze the history. 2) To
analyze the elements. 3) To analyze the meaning. 4) To analyze the function in the society.
This research uses qualitative approach. The field research is located in Wonosobo, Central Java, Indonesia. Data collection techniques were conducted by interview,
direct observation and studying documents. We collected the data and analyzed it, presented it, and verified.
The results of the research based on the book by Pigeaud 1962, showed that Wonosobo Lengger Mask Dance has existed since the 14th century. It has been changed
and developed many times in every century and the dance still exists today.
Wonosobo Lengger Mask Dance is a combination of dance, visual arts, and music in one performance package. Each performance has different characters and stories,
so the messages are different. For example, the division of mask types is divided into alusan (smooth), gagahan (brave), kasar (rough), and gecul (funny) type, which
is the manifestation of human nature.
Wonosobo Lengger Mask Dance has deep philosophical meaning about human life both socially and spiritually related to Islam.
Wonosobo Lengger Mask Dance has three main functions in Wonosobo society, such as medium for rituals, religious spirituality, and folk entertainment.
Wonosobo Lengger Mask Dance is influenced by Wonosobo people various cultures, customs, dialects, and arts. This research aims to: 1) To analyze the history. 2) To analyze the elements. 3) To analyze the meaning. 4) To analyze the function in the society.
This research uses qualitative approach. The field research is located in Wonosobo, Central Java, Indonesia. Data collection techniques were conducted by interview, direct observation and studying documents. We collected the data and analyzed it, presented it, and verified.
The results of the research based on the book by Pigeaud 1962, showed that Wonosobo Lengger Mask Dance has existed since the 14th century. It has been changed and developed many times in every century and the dance still exists today.
Wonosobo Lengger Mask Dance is a combination of dance, visual arts, and music in one performance package. Each performance has different characters and stories, so the messages are different. For example, the division of mask types is divided into alusan (smooth), gagahan (brave), kasar (rough), and gecul (funny) type, which is the manifestation of human nature.
Wonosobo Lengger Mask Dance has deep philosophical meaning about human life both socially and spiritually related to Islam.
Wonosobo Lengger Mask Dance has three main functions in Wonosobo society, such as medium for rituals, religious spirituality, and folk entertainment.
Zásady pro vypracování
Wonosobo Lengger Mask Dance is influenced by Wonosobo people various cultures, customs, dialects, and arts. This research aims to: 1) To analyze the history. 2) To analyze the elements. 3) To analyze the meaning. 4) To analyze the function in the society.
This research uses qualitative approach. The field research is located in Wonosobo, Central Java, Indonesia. Data collection techniques were conducted by interview, direct observation and studying documents. We collected the data and analyzed it, presented it, and verified.
The results of the research based on the book by Pigeaud 1962, showed that Wonosobo Lengger Mask Dance has existed since the 14th century. It has been changed and developed many times in every century and the dance still exists today.
Wonosobo Lengger Mask Dance is a combination of dance, visual arts, and music in one performance package. Each performance has different characters and stories, so the messages are different. For example, the division of mask types is divided into alusan (smooth), gagahan (brave), kasar (rough), and gecul (funny) type, which is the manifestation of human nature.
Wonosobo Lengger Mask Dance has deep philosophical meaning about human life both socially and spiritually related to Islam.
Wonosobo Lengger Mask Dance has three main functions in Wonosobo society, such as medium for rituals, religious spirituality, and folk entertainment.
Seznam doporučené literatury
PIGEAUD, Theodore G. Th and PRAPA\ ΝCA, 1960. Java in the 14th century: a study in cultural history. . 3rd edition, revised and enlarged. The Hague: M. Nijhoff. Translation series (Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Netherlands))
RAFFLES, Thomas Stamford, 1830. The History of Java. . 2nd edition. London: John Murray
RAFFLES, Thomas Stamford, 2019. The History of Java (Indonesian version). . 7. Yogyakarta: Narasi.
RAPOPORT, Eva, 2018. Jathilan horse dance: Spirit possession beliefs and practices in the present-day Java. IKAT: The Indonesian Journal of Southeast Asian Studies. 2018. Vol. 2, no. 1, p. 1–17.
RAPOPORT, Eva, 2021. Searching for Women in Trance: Attitudes of and towards the Female Performers of Jathilan Dance. Jurai Sembah. 2021. Vol. 2, no. 2, p. 1–12
REID, Anthony, 1988. Southeast Asia in the age of commerce, 1450-1680. . New Haven: Yale University Press. ISBN 978-0-300-03921-4. DS526.4 .R46 1988
Seznam doporučené literatury
PIGEAUD, Theodore G. Th and PRAPA\ ΝCA, 1960. Java in the 14th century: a study in cultural history. . 3rd edition, revised and enlarged. The Hague: M. Nijhoff. Translation series (Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Netherlands))
RAFFLES, Thomas Stamford, 1830. The History of Java. . 2nd edition. London: John Murray
RAFFLES, Thomas Stamford, 2019. The History of Java (Indonesian version). . 7. Yogyakarta: Narasi.
RAPOPORT, Eva, 2018. Jathilan horse dance: Spirit possession beliefs and practices in the present-day Java. IKAT: The Indonesian Journal of Southeast Asian Studies. 2018. Vol. 2, no. 1, p. 1–17.
RAPOPORT, Eva, 2021. Searching for Women in Trance: Attitudes of and towards the Female Performers of Jathilan Dance. Jurai Sembah. 2021. Vol. 2, no. 2, p. 1–12
REID, Anthony, 1988. Southeast Asia in the age of commerce, 1450-1680. . New Haven: Yale University Press. ISBN 978-0-300-03921-4. DS526.4 .R46 1988