Hlavným cieľom tejto bakalárskej práce je dokázať vzťah medzi punkovou hudbou a politikou vo Veľkej Británii od sedemdesiatych rokov po súčasnosť prostredníctvom analýzy textov piesní. Táto práca je zameraná na prehľad politického diania súvisiaceho s rozvojom punkovej hudby v určitých obdobiach. Skladá sa z uvedenia zvolených hudobníkov a následnej analýzy textov piesní relevantných pre dané obdobie. Zámerom tejto analýzy je poukázať na ovplyvnenie punku politikou a jeho reakciu na politické dianie v tvorbe The Clash, Billyho Bragga a Slaves.
Anotace v angličtině
The aim of this thesis is to demonstrate the connection between punk music and politics in the United Kingdom from the 1970s until the present through the analysis of song lyrics. The work focuses on an overview of the political background relative to the development of punk music in certain time periods. It includes the introduction of selected artists followed by the analysis of the song lyrics relevant to the time period. The purpose of the analysis is to present the influence of politics on punk music and its reaction to the political events in works of The Clash, Billy Bragg, and Slaves.
Klíčová slova
Punk, Hudba, Lyrics, Britská politika, The Clash, Billy Bragg, Slaves
Klíčová slova v angličtině
Punk, Music, Lyrics, British Politics, The Clash, Billy Bragg, Slaves
Rozsah průvodní práce
51 s. (74 486)
Jazyk
AN
Anotace
Hlavným cieľom tejto bakalárskej práce je dokázať vzťah medzi punkovou hudbou a politikou vo Veľkej Británii od sedemdesiatych rokov po súčasnosť prostredníctvom analýzy textov piesní. Táto práca je zameraná na prehľad politického diania súvisiaceho s rozvojom punkovej hudby v určitých obdobiach. Skladá sa z uvedenia zvolených hudobníkov a následnej analýzy textov piesní relevantných pre dané obdobie. Zámerom tejto analýzy je poukázať na ovplyvnenie punku politikou a jeho reakciu na politické dianie v tvorbe The Clash, Billyho Bragga a Slaves.
Anotace v angličtině
The aim of this thesis is to demonstrate the connection between punk music and politics in the United Kingdom from the 1970s until the present through the analysis of song lyrics. The work focuses on an overview of the political background relative to the development of punk music in certain time periods. It includes the introduction of selected artists followed by the analysis of the song lyrics relevant to the time period. The purpose of the analysis is to present the influence of politics on punk music and its reaction to the political events in works of The Clash, Billy Bragg, and Slaves.
Klíčová slova
Punk, Hudba, Lyrics, Britská politika, The Clash, Billy Bragg, Slaves
Klíčová slova v angličtině
Punk, Music, Lyrics, British Politics, The Clash, Billy Bragg, Slaves
Zásady pro vypracování
1. Introduction
2. Overview of Punk Subculture
3. 1970s and 1980s
a. Thatcherism, Class Issues, Unemployment
b. Overall Scene
c. The Clash
4. 1990s and 2000
a. The End of the Cold War, Tony Blair Era
b. Overall Scene
c. Citizen Fish
5. Contemporary Punk Bands
a. Brexit, Multi-Culturalism, Feminism
b. Overall Scene
c. Slaves
6. Conclusion
Zásady pro vypracování
1. Introduction
2. Overview of Punk Subculture
3. 1970s and 1980s
a. Thatcherism, Class Issues, Unemployment
b. Overall Scene
c. The Clash
4. 1990s and 2000
a. The End of the Cold War, Tony Blair Era
b. Overall Scene
c. Citizen Fish
5. Contemporary Punk Bands
a. Brexit, Multi-Culturalism, Feminism
b. Overall Scene
c. Slaves
6. Conclusion
Seznam doporučené literatury
Dave Thompson, London's Burning: True Adventures on the Front Lines of Punk, 1976-1977 (Chicago: Chicago Review Press, 2009)
David Wilkinson, Post-Punk, Politics and Pleasure in Britain (Manchester: Manchester Metropolitan University, 2016)
Eric James Abbey and Colin Helb, ed., Hardcore, Punk, and other Junk (Plymouth: Lexington Books, 2014)
Helen Reddington, The Lost Women of Rock Music (Sheffield: Equinox Publishing Ltd., 2012)
Ian Glasper, The Day the Country Died (London: Cherry Red Books, 2006)
John Robb, Punk Rock: An Oral History (Oakland: PM Press, 2012)
Legs McNeil and Gillian McCain, Please Kill Me: The Uncensored Oral History of Punk, (New York: Grove Press, 1996)
Matthew Worley, No Future: Punk, Politics and British Youth Culture, 1976-1984, (Cambridge: Cambridge University Press, 2017)
Roger Sabin, ed., Punk Rock: So What? (Taylor and Francis e-Library, 2002)
Simon Reynolds, UK Post-Punk: Faber Forty-Fives: 1977-1982 (London: Faber & Faber, 2002)
Seznam doporučené literatury
Dave Thompson, London's Burning: True Adventures on the Front Lines of Punk, 1976-1977 (Chicago: Chicago Review Press, 2009)
David Wilkinson, Post-Punk, Politics and Pleasure in Britain (Manchester: Manchester Metropolitan University, 2016)
Eric James Abbey and Colin Helb, ed., Hardcore, Punk, and other Junk (Plymouth: Lexington Books, 2014)
Helen Reddington, The Lost Women of Rock Music (Sheffield: Equinox Publishing Ltd., 2012)
Ian Glasper, The Day the Country Died (London: Cherry Red Books, 2006)
John Robb, Punk Rock: An Oral History (Oakland: PM Press, 2012)
Legs McNeil and Gillian McCain, Please Kill Me: The Uncensored Oral History of Punk, (New York: Grove Press, 1996)
Matthew Worley, No Future: Punk, Politics and British Youth Culture, 1976-1984, (Cambridge: Cambridge University Press, 2017)
Roger Sabin, ed., Punk Rock: So What? (Taylor and Francis e-Library, 2002)
Simon Reynolds, UK Post-Punk: Faber Forty-Fives: 1977-1982 (London: Faber & Faber, 2002)