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Lecturer(s)
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Marini Alessandro, doc. Mgr. Ph.D.
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Course content
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Common and different features of literary and film text. Levels of signification in literature and film. Perception of a literary and film text. Comparative analysis. Content. One of the following options: Pirandello and film; Pasolini writer and director; Paolo and Vittorio Taviani and European literature; Adaptations from Leonardo Sciascia's novels; Literature in Bolognini's films; Visconti and literature; Gomorra: novel, reportage a film.
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
- Homework for Teaching
- 25 hours per semester
- Attendace
- 25 hours per semester
- Preparation for the Exam
- 25 hours per semester
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Learning outcomes
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The aim of courses in Italian Literature and Film is to enhance students' interpretive skills. Film adaptation is already a form of interpretation: courses in Italian literature and film emphasize its historical and ideological features through the analysis of formal solutions of the adaptation process. During the courses the literary texts will be analyzed in comparison with their film adaptations, in order to highlight the linguistic and expressive specificity of literature and cinema and strengthen the students' skills of comparison and reflection, also in the perspective of a independent analysis of other texts.
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Prerequisites
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Not any.
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Assessment methods and criteria
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Mark, Oral exam, Essay, Analysis of Creative works (Music, Pictorial,Literary)
Active participation in seminars, preparation for every lesson.
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Recommended literature
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Armando Fumagalli. (2004). I vestiti nuovi del narratore. L?adattamento da letteratura e cinema. Il Castoro, Milano.
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Giacomo Manzoli. (2003). Cinema e letteratura. Carocci, Roma.
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Nicola Dusi. (2003). Il cinema come traduzione. Da un medium all?altro: letteratura, cinema, pittura. UTET Libreria, Torino.
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S. Bernardi. (1994). Introduzione alla retorica del cinema. Firenze.
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