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Lecturer(s)
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Kováčová Lenka, Mgr.
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Marini Alessandro, doc. Mgr. Ph.D.
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Course content
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The course examines Pier Paolo Pasolini's early films, characterized by a radical reinterpretation of the neorealist tradition. The context (the Italy of the economic miracle), the director's education, and his political and sociological sensibilities shaped a unique cinematography within the context of its time. A section of the course will also be dedicated to Bernardo Bertolucci, Pasolini's "student," and to Before the Revolution (1963), his early masterpiece and manifesto of the Italian New Wave.
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
- Attendace
- 25 hours per semester
- Preparation for the Course Credit
- 25 hours per semester
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Learning outcomes
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Knowledge of cinematic language and its rhetorical and expressive value. Enhancement of film reading and interpretation skills.
Students will learn professional film terminology and basic interpretation of film in all its components, with the ability to interpret Italian film in a social context.
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Prerequisites
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None.
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Assessment methods and criteria
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Oral exam, Student performance
Active participation in seminars, preparation for every lesson. Passing the exam.
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Recommended literature
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A. Costa. (1994). Saper vedere il cinema. Milano.
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A. Ferrero. Il cinema di Pier Paolo Pasolini. .
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F. Casetti, F. di Chio. (1994). Analisi del film. Milano.
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G. Brunetta. (2003). Breve storia del cinema italiano. Einaudi, Torino.
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