|
Lecturer(s)
|
-
Kopecký Jiří, doc. PhDr. Ph.D.
|
|
Course content
|
The following topics will be discussed: 1. From a musical idea to its realization (Marian Šidlo Friedl) 2. From recording to distribution (Marian Šidlo Friedl) 3. Contemporary music festivals (Marek Keprt) 4. MusicOlomouc - programming, grant activities (Marek Keprt) 5. The History and Present State of Historically Informed Performance of Early Music (Jana Spáčilová) 6. Professional Early Music Ensembles in the Czech Republic (Jana Spáčilová) 7. The Music Industry and Popular Music Media (Jan Blüml) 8. Popular Music Festivals (Jan Blüml) 9. Elementary Art Schools (Jiří Kopecký) 10. Symphony Orchestras and Classical Music Festivals (Jiří Kopecký) 11. and 12. Presentation of Seminar Assignments, Defense of Student Projects
|
|
Learning activities and teaching methods
|
Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
- Attendace
- 24 hours per semester
- Preparation for the Course Credit
- 26 hours per semester
- Homework for Teaching
- 25 hours per semester
- Preparation for the Exam
- 50 hours per semester
|
|
Learning outcomes
|
The goal of this one-semester course is to introduce students to the world of professional music in the Czech Republic, focusing on selected segments of the cultural scene. The course will cover theoretical foundations and legal standards, as well as examples of best practices.
An Overview of the Contemporary Music Scene from the Perspective of Selected Professions.
|
|
Prerequisites
|
Involvement in the arts (profession, practical experience, part-time jobs), an interest in music culture, and a willingness to participate in highly specialized explorations of selected music professions.
|
|
Assessment methods and criteria
|
Student performance, Seminar Work
Overview of Requirements for Completing the Course 1. Attendance at group meetings 2. Completion of ongoing assignments and answering questions (for the group meetings) 3. Completion of selected correspondence assignments 4. Delivery of a final presentation
|
|
Recommended literature
|
-
Burgess, R. J. The Art Of Music Production: The Theory And Practice. 2013.
-
Campbell, D. Creativity: It´s Not What You Think. 2021.
-
Kleon, A. Kraď jako umělec. 2012.
-
Lawson, C. and Stowell, R. Historical Performance of Music: An Introduction. 1999.
-
Shuker, K. Popular Music: Key Concepts. 2005.
-
Wade, B. C. Thinking Musically. 2004.
|