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Lecturer(s)
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Spáčilová Jana, doc. Mgr. Ph.D.
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Course content
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The course is designed as theoretical preparation for editorial work. In addition to introducing key concepts, it focuses on working with the literature - specifically, an analysis of the collective monograph "Critique of the Musical Text" (Prague: KLP 2001). 1. Definition of the subject of study 2. Typology of musical sources, relevance and filiation 3. Thematic catalogues and complete editions 4. Cataloguing of musical sources, music archives and libraries 5. Databases of musical sources 6. Description of sources: handwriting and watermarks 7. Types of musical editions 8. Critique of the Musical Text(Caraci-Vela, Dadelsen) 9. Critique of the Musical Text (Dahlhaus, Feder - Unverricht) 10. Critique of the Musical Text (Kerman, Atlas) 11. Critique of the Musical Text (Badurová-Skodová, Tyson) 12. Critique of the Musical Text (Herttrich, Brinkman)
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
- Attendace
- 26 hours per semester
- Semestral Work
- 50 hours per semester
- Homework for Teaching
- 24 hours per semester
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Learning outcomes
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A course focusing on the theory of music publishing. The aim of the course is to familiarise students with the basic concepts relating to music publishing. The course is taught once every two years.
Ability to work in musical departments of museums and archives, editorial activities - especially in the field of historical musical materials.
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Prerequisites
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Knowledge of general musical theory. Knowledge of instruments, auxiliary historical science, survey of history of music, knowledge of literature on musicology.
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Assessment methods and criteria
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Student performance, Seminar Work
Knowledge of basic concepts and the relevant literature.
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Recommended literature
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Burešová, A., & Vičar, J. (1996). Kritické edice hudebních památek. Praha.
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Eineder, Georg. (1960). The Ancient Paper-Mills of the Former Austro-Hungarian Empire and their Watermarks. Hilversum.
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Maria Caraci Vela - Alena Jakubcová - Angela Romagnoli - Jiří K. Kroupa, ed. (2001). Kritika hudebního textu. Metody a problémy hudební filologie. Praha.
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Mužík, František. (1961). Úvod do kritiky hudebního zápisu. Praha.
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Pulkert, O. (1966). Pokyny ke katalogizaci hudebnin. Praha.
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Zuman, František. (1983). Papír : historie řemesla a výrobní techniky. Praha.
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