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Lecturer(s)
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Křupková Lenka, doc. PhDr. Ph.D.
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Course content
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The course focuses on the development and important figures in European and American music at the turn of the 20th century and between the two world wars. Special attention will be paid to the development of musical thinking as well as the aesthetic and cultural context. Topics covered: 1. Aesthetic background of music in the 1st half of the 20th century - main tendencies: Folk inspiration Neoclassical tendencies The abandoning of traditional tonality Avant-garde versus tradition Styles and "isms" in the 1st half of the 20th century. Between universalism and national character, traditionalism and avant-garde. 2. Aesthetic background of the late 19th century music - the abandonment of traditional tonality (Chopin, Wagner, Reger, Strauss) 3. Music at the turn of the 20th century (Strauss, Reger, Sibelius, Pfitzner, Debussy, Schreker, Busoni). Terminology: late romanticism, modernism and its periodization (Dalhaus, Danuser) 4. The Second Viennese School - expressionism, atonality, dodecaphony. Important figures and works (Schoenberg, Berg, Weber and others) 5. Neo-folklorism - phenomenon, differences between folkl tendencies in the 19th century and neo-folklorism of the 20th century. Neo-folklorism in music (Bartók, Kodály, Enescu. Stravinskij). 6. Neoclassicism - beginnings and the development until the end of the 19th century Reger, Busoni, Debussy). Neoclassicism in Paris: Le Six (especially Honneger and Milhaud) versus I. Stravinsky. 7. Music in Russia and USSR in the 1st half of the 20th century (Scriabin, Myaskovsky, Prokofiev and Shostakovich) 8. Music in the USA in the 1st half of the 20th century (Ives, Babbit, Cowell).
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
- Attendace
- 25 hours per semester
- Semestral Work
- 12 hours per semester
- Homework for Teaching
- 12 hours per semester
- Preparation for the Exam
- 26 hours per semester
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Learning outcomes
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The course focuses on the development and important figures in music at the turn of the 20th century and between the two world wars. Special attention will be paid to the development of musical thinking and the aesthetic and cultural context. Lectures will especially cover the following styles: late romantic music, expressionism, neoclassicism, neo-folklorism.
After completing the course students will be able to understand and navigate themselves in the history of music of the first half of the 20th Century. Students will be able to use their gained knowledge and skills to compare the music of this period on the axiological and stylistic level. They will be able to match a suitable repertoire of the 20th Century music with the dramaturgy of Philharmonics, the Opera houses and the Chamber musicians or to establish the dramaturgy of contemporary music festival.
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Prerequisites
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Approval of the conditional courses KMU/PDEH1, KMU/PDEH2.
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Assessment methods and criteria
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Mark, Written exam
Writing a paper on the topic of life and works of a particular European composer from the first half of the 20th Century, including a selection of representative works of the personality and their presentation. Karol Szymanowski Jean Sibelius Hans Pfitzner Gustav Holst, Ralph Vaughan Williams Alexander Skrjabin Ruská avantgarda - Ivan Vyšnegradskij, Nikolaj Roslavec, Artur Lourié Italská avantgarda - Luigi Russolo Zoltán Kodály, Georg Enescu Dmitrij Šostakovič Sergej Prokofjev Carl Orff Paul Hindemith La jeune France, hl. André Jolivet a mladý Olivier Massiaen Eric Satie, Arthur Honneger Darius Milhaud Francis Poulenc
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Recommended literature
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BEK, JOSEF:. Hudební neoklasicismus, Praha 1982.
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CRAFT, ROBERT. Igor Stravinskij : deník ze společných cest. Praha 1968.
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Dahlhaus, Carl. (1989). Zwischen Romantik und Moderne. München 1974.. Laaber.
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DANUSER, HERMANN. Die Musik des 20. Jahrhunderts. Neues Handbuch der Musikwissenschaft, Bd. 7. Laaber 1996..
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Dibellius, Ch.:. Moderne Musik I 1945-65. München 1991.
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Dibellius, Ch.:. Moderne Musik II 1965-85. München 1994.
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DRUSKIN, MICHAIL, SEMJONOVIČ. Igor Stravinskij : osobnost, dílo, názory. Praha 1981..
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DRUSKIN, MICHAIL, SEMJONOVIČ. O západoeurópskej hudbe 20. storočia. Bratislava 1976..
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HRADECKÝ, EMIL:. Úvod do studia tonální harmonie, Praha 1960.
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KOLEKTIV AUTORŮ:. Dějiny české hudební kultury 1890-1945, 2 sv., Praha 1971, 1982.
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Kolektiv autorů. Handbuch der Musik im 20. Jahrhundert, 1-12 Bde. Laaber..
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KOLNEDER, WALTHER. Anton Webern. Einführung in Werk und Stil. Rodenkirchen 1961..
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Křupková, Lenka. Dějiny hudby 20. století I. Olomouc: VUP, 2013..
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MORGAN, ROBERT P.:. Twentieth Century Music. A History of Musical Style in Modern Europe and America. New York-London, W.W. Norton 1992.
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NAVRÁTIL, MILOŠ:. Nástin vývoje evropské hudby 20. století, Ostrava 1993.
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VYSLOUŽIL, JIŘÍ:. Hudobníci 20. storočia, Bratislava 1981.
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