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Lecturer(s)
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Černík Jan, Mgr. Ph.D.
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Somer Tomáš, PhDr. Ph.D.
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Parma Tomáš, doc. Ph.D. et Ph.D.
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Peřinová Markéta
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Course content
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Topic of this semester is Bible (biblical tales) in film.
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Learning activities and teaching methods
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Dialogic Lecture (Discussion, Dialog, Brainstorming), Projection (static, dynamic)
- Homework for Teaching
- 24 hours per semester
- Attendace
- 24 hours per semester
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Learning outcomes
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The course familiarises a student with the perception of history through a film that is the most powerful factor in the creation of the historical public awareness. The films are chosen to present a complex view on the chosen historical phenomenon (i. g. reformation, WW1, etc.) Topic of this semester is people living at the geographical, political, and cultural edges of historical worlds. The course takes place in the Lecture Hall of Sts Cyril and Methodius Faculty of Theology (Univerzitní 22) in the time 17:30-20:00. he course starts on February 19 2026.
A student will be acguainted with the historical context of a film and historical events so that he will realise a significant role of the interpretation that forms the historical awareness.
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Prerequisites
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The basic orientation in history. English language.
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Assessment methods and criteria
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Student performance, Didactic Test
Active preparation for individual lectures, presence, written essay in the extent of 5 pages. A film for an analysis will be selected by the lecturer and students will be informed during the lesson of 15th of April. The text is to submit by the application "Semestral works" on Portal UP up to 30th April (23:59 h.)
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Recommended literature
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ABERTH J. A Knight at the Movies. Medieval History on Film.. New York ? London 2003.
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BIMBENET J. (2006). Quand la cinéaste d?Hitler fascinait la France. Paris.
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DE BAECQUE ANTOINE. Histoire et cinéma. Paris.
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FERRO MARC (red.). Film et histoire. Paris.
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MARIE VINCENT ? LUCAS NICOLE. Innover en classe: cinéma, Histoire et représentations. Paris.
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ROSENSTONE ROBERT A. (1998). History in Images/History in Words. Reflections on the Possibility of Really Putting History onto Film. The American Historical Review 5.
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Rosenstone Robert A. (2003). Visions of the Past. The Challenge of Film to Our Idea of History. Cambridge (Mass.).
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