The aim of the course is to practice performance analysis and offers various analytical aproaches such as adaptation, intermedial translation, structural analysis of selected component. Secondly, it offers insight in to specifics of various theatre genres, such as object theatre, in relation to its analysis.
Students will get familiar with various approaches to performance analysis on examples from contemporary theatre.
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ARNTZEN, Knut Ove. (1991). A Visual Kind of Dramaturgy: Project Theatre in Scandinavia. In Claude Schumacher and Derek Fogg (eds.). Small is Beautiful. Small Countries Theatre Conference 1990, p 43?49.. Glasgow: Theatre Studies Publications.
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ARNTZEN, Knut Ove. (1990). Visual performance and Project-Theatre in Scandinavia visual performance: workshops and pictorial orientation. In Katalog. Bergen: Bergen Internasjonale Teater presemterer. Vol. 1. 1990..
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ARONSON, Arnold (ed). (2017). The Routledge Companion to Scenography. Oxon, New York.
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ARONSON, Arnold. (2007). Pohled do propasti: eseje o scénografii. Praha.
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BALME, Christopher. (2018). Úvod do divadelnej vedy. Bratislava.
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DVOŘÁKOVÁ, Dita (ed.). (2017). Tanec, postor a světlo. Brno.
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GAMEL, Mary-Kay. (2010). "Revising Authenticity in Staging Ancient Mediterranean Drama". In E. Hall, S. Harrop (edd.), Theorizing Performance: Greek Drama, Cultural History, and Critical Practice, s. 153-170..
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MCKINNEY, Joslin, BUTTERWORTH, Philip. (2009). The Cambridge introduction to scenography. Chapter 1: What is Scenography, Chapter 6: Analysis of Scenography, p. 3?8, 149?170.. Cambridge: Cambridge University Press.
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MCKINNEY, Joslin. (2018). Seeing Scenography: Scopic regimes and the body of spectators. In ARONSON, Arnold (ed.). The Routledge companion to scenography, p. 102-118. Oxon: Routledge.
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MERENUS, Aleš. (2012). Nárys teorie dramatizací literárních děl (disertace). Brno: Masarykova univerzita.
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PAVIS, Patrice. (2020). Analýza divadelního představení. Nakladatelství AMU.
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PAVIS, Patrice. (2015). Dramaturgia a postdramaturgia. In Nová dramaturgia, nový dramaturg II. : zborník prednášok z medzinárodnej konferencie 13.5.2014.. Bratislava: Divadelný ústav.
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STEHLÍKOVÁ, Eva. (2012). Co je nám po Hekubě?. Praha: Brkola.
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ŠULAJOVÁ, Iva. (2004). Dramatizace jako teoretický problém. Divadelní revue 15, 2004/4. .
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