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Lecturer(s)
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Hladíková Kamila, Mgr. Ph.D.
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Course content
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1. Echoes of the May Fourth movement: Lao She, Chaguan, Ba Jin, Jia; 2. Socialist-realistic cinema: yangbanxi, Qingchun zhi ge, Liu san jie 3. Echoes of the Cultural Revolution: scar literature: Di er ci woshou, Tianyunshan chuanqi, Taiyang he ren 4. First "different" films after the Cultural Revolution: Muma ren, Furong zhen 5. Beginnings of the Fifth generation: Zhang Junzhao, Yige he bage, "searching for roots" - Chen Kaige, Huang tudi , Wu Tianming, Laojing 6. Fifth generation I. - Zhang Yimou: Hong gaoliang, Ju Dou, Hong deng 7. Fifth generation II. - Chen Kaige: Haizi wang, Bian zou bian chang 8. Fifth generation III. - Tian Zhuangzhuang: Dao ma zei, Liechang zhasa, Gushu yiren 9. Controversial: Huozhe, Bawang bieji, Yaogun qingnian, Lan fengzheng 10. 1990s: Molihua kai, Wang Shuo, wuxia
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Projection (static, dynamic)
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Learning outcomes
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The one-term lecture is designated for students of the second block of bachelor or for master degree study of Chinese filology. The aim of this lecture is to introduce students to Chinese cinema of the second half of the 20th century. The lecture is structured to illustrate political and social changes in the PRC before and after the Cultural Revolution. The choice of particular films is determined by various trends and developments in Chinese cinematography, and at the same time focuses specifically on original adaptations of important literary works. Each lecture is accompanied by presentation of selected parts of film and literary works in Chinese. Credits are awarded for an essay on chosen topic.
The one-term lecture is designated for students of the second block of bachelor or for master degree study of Chinese filology. The aim of this lecture is to introduce students to Chinese cinema of the second half of the 20th century.
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Prerequisites
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The one-term lecture is designated for students of the second block of bachelor or for master degree study of Chinese filology. It requires basic knowledge of modern Chinese literature (the absolutorium of the lecture on history of Chinese literature), and the ability to understand basic Chinese texts.
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Assessment methods and criteria
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unspecified
Each lecture is accompanied by presentation of selected parts of film and literary works in Chinese. Credits are awarded for an essay on chosen topic.
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Recommended literature
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Berry, Christopher J., Farquhar, Mary Ann. (2006). China on Screen: Cinema and Nation. . New York.
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Huot, Claire. (2000). China´s New Cultural Scene. London.
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McGrath. (2008). Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age.. Stanfors.
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Zhang Yingjin. (2004). Chinese National Cinema. London.
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