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Lecturer(s)
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Bína Daniel, doc. PhDr. Ph.D.
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Course content
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1) Narratology as a academic discipline (narrative and its models, narrativity, the basic narrative structure) 2) Semiotics as a the way of signs to reality as a basis for analysis of narratives, character and style. 3) Boundaries of storytelling message, narrative minimum conditions. Narrative message, description and argument in literature and film message, intermediality: definitions and conditions "portability". 4) - 6) The inner meaning of narrative structure: (i) a story message, event message, plot (ii) time and space or time message, or space? message, (iii) a typology of story composition message, time and space in the film, the relationship of film to other media (images, sound); 7) - 9) Subjects of the narrative: (i) the discursive background: Narrator ( typology of text and non-text subjects , "narrative" and "untold meditation , authoritativeness and types of narrative comments, competence, message, and fokalization perspective, knowledge message, expressing and showing the methods of , Voice) message, (ii) figure (closed and open constructs characters, character properties as a paradigm, a figure as the bearer of consciousness, character as a narrative element, subject and object) message, (iii) the character message, narrator and author in the movie. 10) - 11) The problem of reference (re-presentation and out of textual reference ): a) referring to the current world and referent problems: authentication and identification message, the fictional anti faktuálnímu - the ontology of the world B) intertextuality, intratextuality, metatextuality c) paratextové features and features of narrative text; realism in literature, film (medium - a form - text); 11) - 12) The text as a narrative , from narration to the text (specific analysis)
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Learning activities and teaching methods
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Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
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Learning outcomes
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Intermediality theory does not deal with various media: literature, film, visual arts, video, music, digital media and audio-visual language as separate genres and phenomena, but seeks out and connects the meanings right in in space "in between" (inter-media). Intermediality manifests itself either as a the nature of called "hybrid " (mixed) media in history, or as reflected artistic and theoretical program and research tool. By definition, the terms "discourse relations between two or more media types that enter into mutual merger, which is hard to separate them and bring them back to autonomy. Intermedia relations can be found for example in the plane of the picture, audio, text or terms of narrative structure and relations between various formal principles, in terms of technological, industrial, economic, mergers, etc., in mixing patterns and perceptual horizons, referring to the wider context of technological and cultural production and reception of media. The course aims to give a comment (or analysis) of selected issues from a wide array of suggested relations between diskursivními formations. Emphasis will be placed on literature and film as the dominant discourses (first as a representative of a verbal static message, the second as the representation of dynamic audiovisual messages).
Acquisition of narratological concepts and their application in the analysis of a narrative.
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Prerequisites
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unspecified
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Assessment methods and criteria
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Written exam, Essay
Credits requirements: - Regular active participation in seminar - preparation for seminars (reading of the asssigned texts) Colloquium: - an essay on an chosen topic (5 pages) and its oral presentation
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Recommended literature
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Auerbach, E. Mimesis. Zobrazení skutečnosti v západoevropských literaturách.Praha 1998.
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Brémond, C. Logique du récit, Seuil, Paris 1973.
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Genette, G. Narative Discourse: An Essay in Metod, Cornell Univ. Press, Ithaca 1979.
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Homoláč, J. (1996). Intertextovost a utváření smyslu textu. Praha.
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Metz, Ch. Imaginární signifikant: Psychoanalýza a film.Praha 1991.
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Rimmon-Kenan, S. Poetika vyprávění. Brno 2001.
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Ryan, M.L. Narrative across Media: The Languages of Storytelling (Frontiers of Narrative), University of Nebraska Press, Lincoln 2004.
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Schmid, W. Narativní transformace. Praha-Brno 2004.
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