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Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
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History and theory of art offer countless possibilities of understanding development or symbolic function of certain artistic movements or specific manners of depiction. The course will place accent mainly on selected questions and problems related to development of our understanding, that is to say, the manner in which we approach images and visuality in general rather than what and how individual images symbolize, or what the development of such symbolism was. The course will be divided into block by topics covered (e.g. icon and the sacred, movement and being moved, talking and teaching) which will focus on the fascinating movement of human visuality throughout history and across various artistic forms (visual art, film, literature, etc.). Our ways of understanding and the reality of our interest in images of the past will outweigh theory and historical description of development. Primary context for individual discussions will be formed by semiotic context.
Ability to analyse selected problems and work with scholarly texts Basic orientation in the field of semiotic studies of visuality
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Aumont, J. (2005). Obraz.. Praha.
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Barthes, R. (1997). Základy sémiologie. In: Kritika a pravda, s. 81-181.. Praha - Liberec.
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Bartlová, Milena. (2012). Skutečná přítomnost. Středověký obraz mezi ikonou a virtuální realitou. Praha.
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Bernard, Jan (ed.). (1995). Tartuská škola. Sborník filmové teorie 2. Praha.
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Erwin Panofsky. (1981). Význam ve výtvarném umění.. Praha.
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Ingarden, R. (1965). O štruktúre obrazu. Bratislava.
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Lyotard, J. F. (2002). Návrat a jiné eseje. Praha.
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Lyotard, J. F. (2001). Putování a jiné eseje. Praha.
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Merleau-Ponty, Maurice. (1971). Oko a duch a jiné eseje. Praha.
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Merrell, Floyd. (1992). Sign, Textuality, World. Bloomington.
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Mitchell, W. J. T., Hansen, Mark B. N. (eds.). (2010). The Critical Terms for Media Studies. Chicago, London.
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Mitchell, W. J. T. (1995). Picture Theory. Chicago, London.
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Mitchell, W. J. T. (2005). What do Pictures Want? The Lives and Loves of Images. Chicago, London.
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Patočka, Jan. (2004). Umění a čas I, II.
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Welsch, Wolfgang. Estetické myslenie , Archa, Bratislava 1993.
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Wölfflin, H. Klassické umění. Praha 1912..
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Worringer, W. Abstrakce a vcítění. Příspěvek k psychologii stylu. Praha 2001..
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