|
Lecturer(s)
|
|
|
|
Course content
|
Liszt as Educator: Music is inseparable from personality Piano Sonata in B minor: Form is malleable clay Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam": Music is spirit Transcendental Études: Music is love The letter of the score: Rules should be learned to be broken Liszt and religion: Music is passion Années de p?lerinage: Music is a journey The botanical roots of thematic transformation: Music and metamorphosis Metaphysics: The world is embodied music Liszt's compositional legacy: Reubke and Scriabin Liszt's pianistic legacy: Busoni and Horowitz Ballade: Liszt and Chopin in dialogue
|
|
Learning activities and teaching methods
|
|
unspecified
|
|
Learning outcomes
|
Liszt believed that the artist is inseparable from the person; for him, to be a virtuoso artist was to be a virtuoso human being. This conviction was grounded in his spiritual view of culture as the cultivation of such exemplary individuals. For Liszt, music was the highest expression of culture and the embodiment of his spiritual ideals: "It was not technicality as stick that Liszt pursued, but technicality as the language of the spirit." To become a true musician is to become spirit, for one cannot speak the language of spirit without first becoming it. To follow this journey is to walk the path of the virtuous (virtuoso) human being, living a meaningful life? what is often called, in philosophical terms, the ?good life". For Liszt, music was nothing less than the expression of such a life. Following Liszt's own example, this course explores his music as a way of life.
The course introduces students to Liszt's music, ideas, and lasting legacy. Accordingly, students will not only become familiar with his compositions but also understand them in a broader cultural context. This broader context encompasses everything from the world of literature (for example, Goethe) to his legacy among later composers and pianists such as Scriabin and Horowitz.
|
|
Prerequisites
|
unspecified
|
|
Assessment methods and criteria
|
unspecified
Attendance: a maximum of two absences is allowed to accommodate for personal emergencies. Active participation in discussions. Passing a written test at the end of the semester.
|
|
Recommended literature
|
-
Abraham, Gerald. One Hundred Years of Music: After Beethoven and Wagner. London and New York: Routledge, 2017..
-
Dahlhaus, Carl. Nineteenth-Century Music. Berkeley: University of California Press, 1989..
-
Hamilton, Kenneth. The Cambridge Companion to Liszt. Cambridge: Cambridge University Press, 2011..
-
Roberts, Paul. Reading Franz Liszt: Revealing the Poetry behind the Piano Music. London and NY: Amadeus Press, 2022..
-
Walker, Alan. . Franz Liszt: vol. 1: The Virtuoso Years, 1811?1847. Ithaca, NY: Cornell University Press, 1988..
-
Walker, Alan. Franz Liszt: vol. 2: The Weimar Years, 1848?1861. NY: Alfred A. Knopf, 1989..
-
Walker, Alan. Franz Liszt: vol. 3: The Final Years, 1861?1886. Ithaca, NY: Cornell University Press, 1996..
|