Course: The History and Theory of Popular Music

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Course title The History and Theory of Popular Music
Course code KMU/DNAHK
Organizational form of instruction Lecture + Seminar
Level of course Bachelor
Year of study not specified
Semester Winter and summer
Number of ECTS credits 6
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Blüml Jan, Mgr. Ph.D.
Course content
definition of "modern popular music", theory of modern popular music cultural history of modern popular music Tin Pan Alley pop blues New Orleans jazz, Chicago jazz, dixieland swing, symphonic jazz be bop cool jazz, progressive jazz free jazz, avant jazz jazz rock sociocultural context of the fifties and sixties of the 20th century definition and theory of rock music rock and roll, Motown pop Brill Building pop rhythm and blues, blues revival Mersey Sound hard rock, progressive rock, glam rock punk rock, heavy metal New Wave MTV electronic dance music (EDM) hip hop

Learning activities and teaching methods
Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming)
  • Attendace - 9 hours per semester
  • Semestral Work - 50 hours per semester
  • Homework for Teaching - 50 hours per semester
  • Preparation for the Exam - 41 hours per semester
Learning outcomes
The aim of this subject is to familiarise the students with the theoretical and historical problems of the sphere of popular music and its component subspheres. The main attention is devoted to the music of the jazz circuit and its particular subspheres.
The student will be competent to reflect the history of music in its entirety, he/she will be able to discuss the changes in the aesthetics of music in the twentieth century, hence to discuss the transformations of the society of the historical phase in question.
Prerequisites
A general overview of the history of music, as well as basic knowledge of the cultural history of the twentieth century is expected.

Assessment methods and criteria
Mark, Written exam, Written exam

regular attendance continuous study of recommended literature and listening to recommended music samples
Recommended literature
  • COVACH, John. What's That Sound?: An Introduction to Rock and Its History . W. W. Norton & Company.
  • Fordham, John. Jazz. Praha 1996, Slovart.
  • GRIDLEY, Mark. (1997). Jazz styles : history and analysis. Englewood Cliffs.
  • Matzner, A., Poledňák, I., Wasserberger, I., ed. (1983). Encyklopedie jazzu a moderní populární hudby I-III. Praha.
  • NICHOLSON, Stuart. (1998). Jazz-Rock: A History.
  • Poledňák, Ivan. (2005). Úvod do problematiky hudby jazzového okruhu, Olomouc 2000, Univerzita Palackého Olomouc. Olomouc.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester