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Lecturer(s)
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Rufer Bílá Anna, Mgr.
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Bojda Tomáš, Mgr. Ph.D.
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Jirsa Tomáš, doc. Mgr. Ph.D.
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Course content
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Topics: changes in TV genres and formats changes in TV media - what is TV today regarding programme, technology, media laws, market, institution VoD services, online TV, Netflix, Amazon Prime, Hulu etc. changing the audiences in the ontext of programming, contemporary Quality TV changes in topics, content and TV style
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Learning activities and teaching methods
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Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic), Group work, Analyzing and producing audiovisual content
- Attendace
- 22 hours per semester
- Preparation for the Course Credit
- 25 hours per semester
- Preparation for the Exam
- 33 hours per semester
- Semestral Work
- 20 hours per semester
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Learning outcomes
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The topics of the lecture are focused on contemporary TV trends: TV viewers a definition of contemporary TV non-linear TV - Netflix, VoD services and such media law and its changes changes in TV style and aesthetics TV genre and formats in contemporary TV
Students will learn how contemporary TV operates and why.
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Prerequisites
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No preexisting courses needed.
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Assessment methods and criteria
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Mark, Analysis of Creative works (Music, Pictorial,Literary), Seminar Work, Written exam, Video essay
ERASMUS students are welcomed to join the course, however since it is lectured in Czech they will get list of tasks including reading academic papers and watching episodes of TV shows which they need to fullfill acordingly. If you want to join the course, you need to contact the lecturer asap - Jana Jedlickova, jana.jedlickova@upol.cz. She will create an individual plan for you to be able to fullfill the requirements of the course.
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Recommended literature
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Antenna.
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Cinepur.
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CST online.
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Česká média.
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Flow TV.
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IndieWire.
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JustTV.
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Marketing & Media.
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Media Industries in Middle East 2016.
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Mediaguru.cz.
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Television Think Tank FB page.
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The Euro TV Place.
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The Guardian.
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Blake, J. (2017). Television and the second screen. New York.
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Brembilla, P. - De Pascalis, I. A. (eds.). (2020). Reading Contemporary Serial Television Universes. London.
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Bruun, Hanne. (2020). Re-scheduling Television in the Digital Era.
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Gray, J. - Sandvoss, C. - Harrington, L. (eds.). (2007). Fandom. Identities and communities in a mediated world.. New York.
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JENKINS, H. Textual Poachers: Television Fans & Participatory Culture. Studies in culture and communication. New York:Routlege, 1992. 343 s. ISBN 0-415-90571-0..
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Johnson, C. (2012). Branding television. New York.
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Johnson, C. (2019). Online TV. London.
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Levy, B. (2019). Television development. How Hollywood Creates New TV Series. New York.
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Lotz, Amanda. (2018). We Now Disrupt This Broadcast. How Cable Transformed Television and The Internet revolutionized.. Cambridge, London.
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Marinescu, V., Branea, S., Mitu, B. (eds.). (2014). Contemporary television series. Narrative Structures and Audience Perception. Newcastle upon Tyne.
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Ross, Sharon, Marie. (2008). Beyond the Box. Television and the Internet.. Malden, Oxford, Carlton.
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Shimpach, S. (2020). The Routledge Companion to Global Television. New York.
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Turner, G. - Tay, J. (eds.). (2009). Television studies after TV. London.
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