Course: Film Analysis Seminar, A

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Course title Film Analysis Seminar, A
Course code KDU/SAFA
Organizational form of instruction Seminar
Level of course Bachelor
Year of study not specified
Semester Winter and summer
Number of ECTS credits 3
Language of instruction Czech
Status of course Compulsory-optional
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Černík Jan, Mgr. Ph.D.
  • Bojda Tomáš, Mgr. Ph.D.
  • Hain Milan, Mgr. Ph.D.
  • Sýkora Michal, Mgr. Ph.D.
Course content
unspecified

Learning activities and teaching methods
Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic), Activating (Simulations, Games, Dramatization)
  • Homework for Teaching - 25 hours per semester
  • Attendace - 22 hours per semester
  • Preparation for the Course Credit - 28 hours per semester
Learning outcomes

Students become familiar with using various tools in film analysis which can be applied not only on individual artwork but even on significant personalities and thematic units. Students are able to differenciate the tools of individual methodological and theoretical concepts, they are able to recognize its qualities and are able to coose between them within their own journalistic practice and preparation and realization of scholarly work. Students also deepen their knowledge of selected personalities and chapters in Czechoslovak and world cinema.
Prerequisites
unspecified

Assessment methods and criteria
Student performance, Analysis of linguistic, Dialog, Seminar Work

seminar is led in Czech language
Recommended literature
  • Altman, R. (1999). Film/genre. London: British Film Institute.
  • Bilík, P., & Ptáček, L. (2000). Panorama českého filmu. Olomouc: Rubico.
  • Bordwell, D. (1997). On the history of film style. Cambridge, Mass: Harvard University Press.
  • Bordwell, D., Thompson, K., Dominková, P., Hanzlík, J., & Kofroň, V. (2011). Umění filmu: úvod do studia formy a stylu. Praha: Nakladatelství Akademie múzických umění.
  • Butler, J. G. (2012). Television: critical methods and applications. New York, N.Y: Routledge Taylor & Francis Group.
  • Butler, J. G. (2010). Television style. New York, N.Y: Routledge Taylor & Francis Group.
  • Casetti, F., & Giordanová, H. (2008). Filmové teorie 1945-1990. V Praze: Akademie múzických umění.
  • CREEBER, Glen. (2013). Small Screen Aesthetics. London.
  • GRANT, Barry Keith. (2012). Film Genre Reader IV.. Austin: University of Texas Press.
  • HUTCHEON, Linda. (2012). Theory of Adaptation. London: Routledge.
  • Monaco, J., Lindroth, D., & Liška, T. (2004). Jak číst film: svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Praha: Albatros.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester
Faculty: Faculty of Arts Study plan (Version): Film Studies (2024) Category: Theory and history of arts - Recommended year of study:-, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): Film, Theatre, TV and Radio Studies (2017) Category: Theory and history of arts 2 Recommended year of study:2, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): Film Studies (2019) Category: Theory and history of arts - Recommended year of study:-, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): Film Studies (2019) Category: Theory and history of arts - Recommended year of study:-, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): Film Studies (2017) Category: Theory and history of arts 2 Recommended year of study:2, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): Film Studies (2024) Category: Theory and history of arts - Recommended year of study:-, Recommended semester: -