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Lecturer(s)
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Winter Tomáš, doc. PhDr. Ph.D.
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Course content
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1) Modern art and its canon I 2) Modern art and its canon II 3) Relationship to tradition I 4) Relationship to tradition II 5) Inspiration by the medieval art 6) New allegory I 7) New allegory II 8) Primitivism and exoticism I 9) Primitivism and exoticism II 10) Sources of Cubism 11) Inter-war primitivism 12) China and Japan
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Learning activities and teaching methods
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unspecified
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Learning outcomes
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The course focuses on modern and avant-garde art, with special attention to their sources of inspiration. It focuses on inspirations of modern artists by older European art and non-European art. These inspiration will be interpreted critically in a political, social, and cultural context.
Deeper understanding development of modern art and its dynamism
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Prerequisites
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Be interested in modern art
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Assessment methods and criteria
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Written exam
Active participation on lessons, deliver a paper
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Recommended literature
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FLAM, Jack ? DEUTCH, Miriam (eds). (2003). Primitivism and Twentieth-Century Art: A Documentary History. University of California Press.
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RUBIN, William (ed.). (1985). "Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern. New York.
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VARNEDOE, Kirk ? VARNEDOE, Kirk (ed.). (1990). High and Low: Modern Art and Popular Culture. New York.
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WINTER, Tomáš ? BYDŽOVSKÁ, Lenka ? MACHALÍKOVÁ, Pavla ? PETRASOVÁ, Taťána (eds.). (2015). Rembrandtova tramvaj. Kubismus, tradice a ?jiné? umění. Plzeň.
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WINTER Tomáš. (2013). Palmy na Vltavě. Primitivismus, mimoevropské kultury a české výtvarné umění 1850?1950. Řevnice ? Plzeň ? Praha.
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