Course: European 18th-Century Painting 1

« Back
Course title European 18th-Century Painting 1
Course code DVU/PDU9
Organizational form of instruction Lecture + Seminar
Level of course Bachelor
Year of study not specified
Semester Summer
Number of ECTS credits 3
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Daniel Ladislav, prof. PhDr. Ph.D.
Course content
1. Rome and Naples 1623 to 1720: Bernini, Pozzo, Cortona, Giordano, Preti, Maratta 2. Utrecht in the 17th century: Honthorst, Terbrugghen, Baburen 3. Amsterdam in the 17th century: Rembrandt, krajináři 4. Delft and Haarlem in the 17th century: Vermeer, Hals, stil-life, genre 5. Venice 1650 to 1680: tenebrists, G. Heintz, L. Giordano 6. Venice 1660 to 1710: L. Giordano, chiarists 7. Prague 1650 to 1706: Willmann 8. Prague 1680mto 1715: Liška 9. Prague 1670 to 1730: Heinsch, Stevens ze Steinfelsu 10.Bishopric Olomouc 1648 to 1700: Abbiati, Tencallas 11.Bishopric Olomouc 1648 to 1700: Lublinský

Learning activities and teaching methods
Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming)
  • Homework for Teaching - 13 hours per semester
  • Attendace - 26 hours per semester
Learning outcomes
Lectures and seminars devoted to the types and changes of painting in its European centers including Bohemia and Moravia since about 1625 to 1720, mainly in Rome, Venice, Naples, Utrecht, Amsterdam, Delft, Haarlem, Prague and Olomouc. The relationships of the centers of painting are followed in the exchange of impulses, in impact of the leading art personalities including incomers, in the relations to literature, theatre and music of the time and in the structure of the home patronage, collectionism and commissions together with traces of the activity of foreign artists in Bohemia and Moravia.
The knowledge of the types and changes of painting in its European centers including Bohemia and Moravia since about 1630 to 1800, mainly in Rome, Venice, Naples, Utrecht, Amsterdam, Delft, Haarlem, Prague and Olomouc.
Prerequisites
The finished first three semesters of the bachelor degree of the History of Art.

Assessment methods and criteria
Oral exam

Presence on the seminars.
Recommended literature
  • DaCosta Kaufmann, T. Court, Cloister and City. The Art of Central Europe 1450-1800. Chicago 1995..
  • Daniel, L. - Pujmanová, O. - Soukup, - Togner, M. Olomoucká obrazárna I. Italské malířství 14.-18. století z olomouckých sbírek. Olomouc 1996..
  • Daniel, L. (ed.). Benátčané. Malířství 17. a 18. století z českých a moravských sbírek. Milano - Praha 1996..
  • Daniel, L. Mezi erupcí a morem. Malířství v Neapoli 1631-1656. Úvod W. Prohaska. Praha 1995..
  • Dvorský, J. (ed.). Dějiny českého výtvarného umění II/1. Praha 1989..
  • Hlobil, I. - Michna, P. - Togner, M. Olomouc. Praha 1984..
  • Krsek, I. - Kudělka, Z. - Stehlík, M. - Válka, J. Umění baroka na Moravě a ve Slezsku. Praha 1996..
  • Pijoan, J. (ed.). Dějiny umění VII-VIII. Praha 1985..
  • Togner, M. Antonín Martin Lublinský 1636-1690. Olomouc 2004..
  • Togner, M. (ed.). Kroměřížská obrazárna. Katalog sbírky obrazů arcibiskupského zámku v Kroměříži. Kroměříž 1998..


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester