|
Lecturer(s)
|
-
Zapletalová Jana, doc. PhDr. Ph.D.
|
|
Course content
|
1. European painting of the 15th to the 18th century: Mediterranean and the transalpine painting, the introduction 2. Florence from Cosimo I to Francesco I: the mannerists, Alessandro Allori 3. Venice 1550 to 1618: late Tizian, Veronese, Bassanos, Tintoretto and followers 4. Brussels a Antwerp 1550 to 1620: P. Bruegel I, J. Brueghel I, Rubens and landscape painters 5. Prague and Vienna 1576-1618. The patronage and collections of Rudolf II, Arcimboldo 6. Spranger, Aachen, Heintz, Savery 7. Bologna 1575 to 1609: bishop Gabriele Paleotti and the Carracci reform 8. Rome 1592 to 1606: Caravaggio 9. Rome 1600 to 1609: A. Carracci 10.Rome 1600 to 1630: Albani, Domenichino, Lanfranco, Guercino, Rubens 11.Caravaggists in Rome: Manfredi, O. Gentileschi, Honthorst, Saraceni 12.Guido Reni in Bologna and in Rome
|
|
Learning activities and teaching methods
|
Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming)
- Attendace
- 26 hours per semester
- Homework for Teaching
- 13 hours per semester
|
|
Learning outcomes
|
Lectures and seminars devoted to the types and changes of painting in its main European centers including Bohemia and Moravia since 1550 to about 1630, mainly in Rome, Bologna, Florence, Paris, Venice, Brussels, Antwerp, Prague and Olomouc. The difference of local schools, the importance of the city centers of painting and their relationships are followed in the exchange of impulses, in impact of the leading art personalities, in the relations to literature, theatre and music of the time and in the structure of the home patronage, collectionism and commissions together with traces of the activity of foreign artists in Bohemia and Moravia.
The knowledge of the types and changes of painting in its main European centers including Bohemia and Moravia since 1550 to about 1630, mainly in Rome, Bologna, Florence, Paris, Venice, Brussels, Antwerps, Prague and Olomouc.
|
|
Prerequisites
|
The finished first semester of the bachelor degree.
|
|
Assessment methods and criteria
|
Oral exam
The knowledge of the explained problematics, enriched by the study of the recommended literature. The student's presence in seminars.
|
|
Recommended literature
|
-
DaCosta Kaufmann, T. Court, Cloister and City. The Art of Central Europe 1450-1800. Chicago 1995..
-
Daniel, L. - Pujmanová, O. - Soukup, - Togner, M. Olomoucká obrazárna I. Italské malířství 14.-18. století z olomouckých sbírek. Olomouc 1996..
-
Daniel, L. Adónisův návrat. Adónis Giovana Battisty Marina v ikonografii obrazů Nicolase Poussina a Francesca Albaniho. In: Italská renesance a baroko ve střední Evropě. Příspěvky z mezinárodní konference. Olomouc, 17.-18. října 2003. Renesans i barok włoski w Europie Środkowej. Materiały międzynarodowej konferencji, Ołomuniec, 17-18 października 2003. Univerzita Palackého v Olomouci. Olomouc 2005, s. 115-123..
-
Daniel, L. (ed.). Benátčané. Malířství 17. a 18. století z českých a moravských sbírek. Milano - Praha 1996..
-
Daniel, L. (ed.). Florenťané. Umění z doby medicejských velkovévodů. Katalog výstavy. Praha 2002..
-
Daniel, L. Reniana. Bulletin of the National Gallery in Prague 2, 1992, s. 42-57..
-
Dvorský, J. (ed.). Dějiny českého výtvarného umění II/1. Praha 1989..
-
Emiliani, A. - Scholaro, M. (ed.). Od Correggia ke Crespimu. Malířství 16.-18. století v Emilii a Romagni. Da Correggio a Crespi. Pittura dal Cinquecento al Settecento in Emilia e in Romagna. Bologna - Praha 1991..
-
Fučíková, E. (ed.). Rudolf II. a Praha. Císařský dvůr a rezidenční město jako kulturní a duchovní centrum střední Evropy. Praha - London - Milano 1997..
-
Pijoan, J. (ed.). Dějiny umění VII-VIII. Praha 1985..
-
Togner, M. (ed.). Kroměřížská obrazárna. Katalog sbírky obrazů arcibiskupského zámku v Kroměříži. Kroměříž 1998..
|