Course: European 18th-Century Painting 2

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Course title European 18th-Century Painting 2
Course code DVU/D14D2
Organizational form of instruction Lecture + Seminar
Level of course Bachelor
Year of study not specified
Semester Winter
Number of ECTS credits 3
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Daniel Ladislav, prof. PhDr. Ph.D.
Course content
1. Benátky between 17th and 18th century: S. Ricci, Pellegrini, Balestra, Pittoni 2. Foreigners in Moravia 1670 to 1730: Pagani, Lanzani, Rottmayr 3. Foreigners in Moravia 1670 to 1730: Herdt, Schoonjans, Sandrart 4. Venice of the 18th century: Piazzetta, Carriera, P. Longhi 5. Venice, Rome, Dresden, Würzburg and Madrid of the 18th century: Tiepolo, Mengs, Goya 6. Venice of the 18th century, the vedutists: Canaletto, Marieschi, Guardi 7. Paris of the 18th century: Watteau 8. Paříž of the 18th century: Boucher, Fragonard, Chardin 9. Prague of the 1st half of the 18th century: Reiner 10.Prague of the 18th century: Asams, Neunhertz, Palko, Kern, Kracker, Grund, Maulbertsch 11.Brno of the 18th century: Altomonte, Eckstein, Gran, Etgens, Stern, Schmidt, Maulbertsch 12.Olomouc and Kroměříž of the 18th century: Troger, Handke, Sadeler, Stern, Maulbertsch

Learning activities and teaching methods
Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming)
  • Homework for Teaching - 13 hours per semester
  • Attendace - 26 hours per semester
Learning outcomes
Lectures and seminars devoted to the types and changes of painting in its European centers including Bohemia and Moravia from about 1670 to 1800, mainly in Rome, Venice, Paris, Prague, Dresden, Vienna, Madrid, Brno and Olomouc. The relationships of the centers of painting are followed in the exchange of impulses, in impact of the leading art personalities including incomers, in the relations to literature, theatre and music of the time and in the structure of the home patronage, collectionism and commissions together with traces of the activity of foreign artists in Bohemia and Moravia.
The knowledge of the types and changes of painting in its main European centers including Bohemia and Moravia from about 1670 to 1800, mainly in Rome, Venice, Paris, Prague, Dresden, Vienna, Madrid, Brno and Olomouc.
Prerequisites
The finished first two years of the bachelor degree of the History of Art.

Assessment methods and criteria
Oral exam

Oral presentation of given problematics related with the knowledge and art historical interpretation of exemplified slides.
Recommended literature
  • DaCosta Kaufmann, T. Court, Cloister and City. The Art of Central Europe 1450-1800. Chicago 1995..
  • Daniel, L. - Pujmanová, O. - Soukup, - Togner, M. Olomoucká obrazárna I. Italské malířství 14.-18. století z olomouckých sbírek. Olomouc 1996..
  • Daniel, L. (ed.). Benátčané. Malířství 17. a 18. století z českých a moravských sbírek. Milano - Praha 1996..
  • Daniel, L. Reniana. Bulletin of the National Gallery in Prague 2, 1992, s. 42-57..
  • Dvorský, J. (ed.). Dějiny českého výtvarného umění II/1. Praha 1989..
  • Hlobil, I. - Michna, P. - Togner, M. Olomouc. Praha 1984..
  • Krsek, I. - Kudělka, Z. - Stehlík, M. - Válka, J. Umění baroka na Moravě a ve Slezsku. Praha 1996..
  • Pijoan, J. (ed.). Dějiny umění VII-VIII. Praha 1985..
  • Togner, M. (ed.). Kroměřížská obrazárna. Katalog sbírky obrazů arcibiskupského zámku v Kroměříži. Kroměříž 1998..
  • Togner, M. Jan Kryštof Handke. Malířské dílo. Olomouc 1994..


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester