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Lecturer(s)
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Daniel Ladislav, prof. PhDr. Ph.D.
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Course content
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Thematic areas: 1. Venice 1550-1618: late Titian, Veronese, Bassano, Tintoretto and followers. 2. Florence from Cosimo I to Francesco I .: Mannerists, Agnolo Bronzino, Giorgio Vasari, Giovanni Balducci vol. Cosci, Santi di Tito, Alessandro Allori, Studiolo in Palazzo Ducale, Uffizi. 3. Council of Trent and new requirements for painters. A new typology of the image in the anti-Reformation period. Gabriele Paleotti and artists in Bologna before the "reform" of the Carracci. 4. New typology of the image in the anti-Reformation period. Gabriele Paleotti and artists in Bologna 1575-1609; "reform" of the Carracci. 5. Federico Barocci. 6. Annibale, Ludovico and Agostino Carracci before 1600. 7. Rome 1592-1606: Caravaggio I. 8. Rome 1600-1609: Annibale Carracci, Palazzo Farnese. 9. Caravaggists in Rome: Bartolomeo Manfredi, Orazio Gentileschi, Jusepe Ribera, Honthorst, Carlo Saraceni. 10. 11. Rome 1600-1630: Albani, Domenichino, Lanfranco, Guercino, Rubens. 12. Guido Reni in Bologna and Rome.
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Learning activities and teaching methods
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Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
- Attendace
- 26 hours per semester
- Homework for Teaching
- 13 hours per semester
- Preparation for the Exam
- 10 hours per semester
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Learning outcomes
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To establish in the minds of students the most accurate idea of the types and changes of painting in its main Italian centers from the mid-16th to the mid-18th century, especially in Rome, Bologna, Florence, Venice, Naples, Milan, Genoa and Turin. The diversity of local schools, the importance of urban painting centers and their relationships are monitored in the exchange of stimuli, in the work of leading artistic personalities, in connection with contemporary events in literature, theater and music and in the structure of domestic patronage, collecting and commissions. Bohemia and Moravia.
The student will get deeper insight into the Baroque painting in Italy in its main centers since 1550 to about 1750, mainly in Rome, Bologna, Florence, Venice and Naples.
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Prerequisites
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The finished first semester of the bachelor degree of the History of Art.
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Assessment methods and criteria
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Written exam
Final exam in a form of atest and other requirements specified by the lecturer, especially reading and acquisition of study materials.
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Recommended literature
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Andrea Emiliani and Michela Scolaro (eds.). (1991). Od Correggia ke Crespimu. Malířství 16.-18. století v Emilii a Romagni. Da Correggio a Crespi. Pittura dal Cinquecento al Settecento in Emilia e in Romagna. Bologna.
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DaCosta Kaufmann, T. Court, Cloister and City. The Art of Central Europe 1450-1800. Chicago 1995..
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Daniel, L. (ed.). Benátčané. Malířství 17. a 18. století z českých a moravských sbírek. Milano - Praha 1996..
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Ladislav Daniel (ed.). (1996). Benátčané. Malířství 17. a 18. století z českých a moravských sbírek. Milano.
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Ladislav Daniel. (2002). Florenťané. Umění z doby medicejských velkovévodů. Praha.
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Ladislav Daniel. (1995). Mezi erupcí a morem. Malířství v Neapoli 1631?1656. Praha.
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Steffi Roettgen. (2007). Wandmalerei in Italien: Barock und Aufklärung, 1600?1800. München.
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