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Lecturer(s)
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Zapletalová Jana, doc. PhDr. Ph.D.
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Course content
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1) Introdution: What do we study in the paintings? 2) An example of the study and interpretation of a selected painting. 3) Wall painting techniques (buon fresco technique, secco additions, terminology, tempera wall paintings, the transfer of wall paintings). 4) Paintings 1 (Dimensioning, cataloguing, oil painting, tempera, base layers) 5) Paintings 2 (Colours and colour relationships and contrasts (typology, three basic types of contrast, the color design of space in paintings). Composition of painting (colour, light and linear elements; historical examples of frequent types of compositions). 6) Perspective and linear construction of space in painting.
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Learning activities and teaching methods
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Lecture
- Attendace
- 13 hours per semester
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Learning outcomes
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Lectures (two hours every two weeks) introduce the basic concepts of the theory of creation and perception of painting in the past and present. Practical examples illustrate the principles of linear, color, compositional, spatial, expression, and material construction of paintings, and means of expression in painting.
Survey of basic terms of the theory of the creation and of the reception of a painting from the classical antiquity to the 20th century and of the principles of the linear, colour, compositional, space, semantic and material construction of the painting.
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Prerequisites
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Immatriculation into the bachelor degree of the History of Art.
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Assessment methods and criteria
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Written exam
Passing the written test and the review of relief materials, including an analysis of the projected examples.
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Recommended literature
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Hégr, M. Technika malířského umění. Praha 1941..
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Hégr, M. Výstavba obrazu z výtvarného hlediska. Praha 1944..
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Kadeřávek, F. Geometrie a umění v dobách minulých. Praha 1935..
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Petr, F. Malířské techniky. Fresko, sgrafito, malba klihová, kaseinová, temperová, nátěry zdí, polychromie, zlacení, stucco lustro a imitace mramorů. Praha 1926..
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Petr Ingerle. (2010). Příběh perspektivy. Dějiny jedné ideje. Od renesance k modernímu umění a myšlení. Brno.
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Slánský, B. (1976). Technika v malířské tvorbě. Praha.
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Teissig, K. Technika kresby. Praha 1986..
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Volavka, V. Malba a malířský rukopis. Úvod do studia malířského rukopisu. Praha 1939..
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