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Lecturer(s)
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Marini Alessandro, doc. Mgr. Ph.D.
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Course content
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The course examines Pier Paolo Pasolini's early films, characterized by a radical reinterpretation of the neorealist tradition. The context (the Italy of the economic miracle), the director's education, and his political and sociological sensibilities shaped a unique cinematography within the context of its time. A section of the course will also be dedicated to Bernardo Bertolucci, Pasolini's "student," and to Before the Revolution (1963), his early masterpiece and manifesto of the Italian New Wave.
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Learning activities and teaching methods
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Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
- Attendace
- 25 hours per semester
- Homework for Teaching
- 25 hours per semester
- Preparation for the Exam
- 50 hours per semester
- Semestral Work
- 25 hours per semester
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Learning outcomes
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Knowledge of cinematic language and its rhetorical and expressive value. Enhancement of film reading and interpretation skills.
Students will acquire basic knowledge of the history of Italian cinema. Important personalities of the Italian film that student will be able to recognize.
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Prerequisites
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None.
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Assessment methods and criteria
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Mark, Oral exam, Essay, Student performance, Systematic Observation of Student
- Active participation in class - Paper on the topic
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Recommended literature
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Di Giammatteo, F. (1995). Dizionario del cinema italiano. Roma, Editori Riuniti.
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G. P. Brunetta. (1991). Cent´anni di cinema italiano. Bari.
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